Monday, May 31, 2010

Line By Line: Yann Martel, Life of Pi

Life of Pi"To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation."

"If we, citizens, do not support our artists, then we sacrifice our imagination on the altar of crude reality and we end up believing in nothing and having worthless dreams."

"I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you see higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality."

"Time is an illusion that only makes us pant."

"Love is hard to believe, ask any lover. Life is hard to believe, ask any scientist. God is hard to believe, ask any believer. What is your problem with hard to believe?"

Saturday, May 29, 2010

Table of Contents: The Spellman Files

Author: Lisa Lutz
Publisher/Year: Simon & Schuster, 2008
Synopsis: Isabel Spellman, an uncompromising—okay, obstinate—twenty-eight year-old San Francisco private eye-has her share of problems. And those problems all happen to be named Spellman. Her parents, Albert and Olivia, co-owners of Spellman Investigations, think nothing of placing their daughter under 24-hour surveillance simply to find out if she has a new boyfriend. David, her perfect older brother, who escaped the family business by becoming a lawyer, is hypercritical of just about everything Isabel says, wears, or does. Fourteen-year-old sister Rae lives on sugared snacks, considers recreation surveillance her favorite hobby, and believes that life is one endless opportunity for intra-familial blackmail. And good-natured Uncle Ray, a former cop and health food nut, now embraces gambling and drinking; and when he's not in battle with his niece Rae over the whereabouts of his favorite shirt, must be rescued from "lost weekends."

The Spellman Files: A Novel (Izzy Spellman Mysteries)


What Others Have to Say
USA Today
"She's part Bridget Jones, part Columbo. Lisa Lutz's resilient P.I. Isabel Spellman emerges as a thoroughly unusual heroine in her delightful, droll debut novel."

Publishers Weekly
"Cracking the case can get complicated and outrageously wacky when a family of detectives is involved, but Lutz has a blast doing it in her delicious debut. Isabel "Izzy Spellman . . . could easily pass as Buffy or Veronica Mars's wiser and funnier older sister . . . When Rae [Izzy's younger sister—"a nightmarish Nancy Drew"] disappears, Izzy and her family must learn some serious lessons in order to find her. Can the family that snoops together stay together? Stay tuned as a dynamic new series unfolds."

New York Daily News
"Lutz is one smart-mouthed writer, but the genuine surprise of The Spellman Files is that it's almost as touching as it is funny."

St. Louis Post-Dispatch
"Simply put, this tale of the Spellman family is irresistible, and you hate to see the romp end."

Thursday, May 27, 2010

Book Review: Teresa Riordan, Inventing Beauty

Inventing Beauty: A History of the Innovations that Have Made Us BeautifulPublisher/Year: Broadway Books, 2004

Who has not heard the story of one Mr. Titslinger, the inventor immortalized in the glitzy stage show in the film Beaches? New York Times writer Teresa Riordan is counting on everyone knowing the popular story of how he invented the bra. Or did he? This is just one historical point that Riordan focuses her attention on in her captivatingly educational book Inventing Beauty. The book takes us on a journey from head to toe to tail, bringing forth beauty myths and truths for all the women who have ever, as another reviewer stated, “pushed, pulled, tweezed, squeezed, and spackled themselves into synthetic loveliness.”

Did you know that women’s right to use cosmetics was actually argued on the political stage in the United States? Charlotte Smith, editor of the The Woman Inventory and Madame M. Yale, a cosmetics entrepeneur, went before the House of Representatives Agricultural Committee in 1892 to debate whether women could use cosmetics to improve their appearance. The outcome of the debate is obvious as the cosmetic industry generates billions of dollars annually on women’s desire to look beautiful and put together. But the fact that this topic was posed on such a stage is yet another example of how a woman’s body has never really been her own.

Did you also know that “because of consumer demand, the vibrator (at this stage meant to be externally rather than internally applied) was only the fifth electrical device introduced into the household, arriving just after the electric sewing machine, fan, teakettle, and toaster”? It was devised to assist physicians in the treatment of hysteria (so they would no longer have to manually stimulate their female patients), and was thought to be beneficial for the treatment of wrinkles. This information certainly makes you look at the vibrator in a new way.

Riordan looks at how the bustle started as a modest means for enhancing a woman’s derriere. It turned into a fashion fright though as women soon had to endure contraptions that could hold a whole tea serving set! She also examines the evolution of our fascination with lips--why the first lipsticks were orange to devices that aided women in drawing the perfect cupid lips to the development of the containers we are all familiar with today.

Riordan completed some meticulous research on the beauty industry for this book, all of which is carefully documented in the Notes and Bibliography sections. To support this research, Riordan has also littered advertisments, photographs and sketches throughout the pages to provide an extra layer of value to her prose. You can check out the stars and models who helped sell these products and ideals to the public, and then compare them to the pictures of the poor women who had to endure the neverending cycle of product reinvention in order to attain the current beauty ideal.

Historians will be amazed at the facts and information Riordan was able to unearth, but all readers will be dazzled by the clarity and enthusiasm with which Riordan tackles this touchy topic of female beauty. Roirdan has managed construct a book that neither rails against the beauty industry for promoting unrealistic beauty standards for women nor enthusiastically celebrates its achievements for women. She perfectly captures the comedy and drama of the situation, by combining the horror stories of women enduring carbolic acid peels with the often amusing tales of the inventors and entrepeneurs who (disastrously) came up with these ideas. And Riordan’s wonderfully inviting writing style makes Inventing Beauty an irresistible read for anyone interested in learning a little more about the everyday life of women.

Tuesday, May 25, 2010

Table of Contents: A Thousand Acres

Author: Jane Smiley
Publisher/Year: Knopf, 1991
Synopsis: A successful Iowa farmer decides to divide his farm between his three daughters. When the youngest objects, she is cut out of his will. This sets off a chain of events that brings dark truths to light and explodes long-suppressed emotions. An ambitious reimagining of Shakespeare’s King Lear cast upon a typical American community in the late twentieth century, A Thousand Acres takes on themes of truth, justice, love, and pride, and reveals the beautiful yet treacherous topography of humanity.

A Thousand Acres: A Novel


What Others Have To Say
Entertainment Weekly
"The story is really about the transformation of Ginny, through painfully earned knowledge, from a compliant, trouble-suppressing, guilt- ridden daughter and wife into an angry — though still ambivalent — independent woman who has to cast off the only kind of life she has known."

The Washington Post Book World
“A family portrait that is also a near-epic investigation into the broad landscape, the thousand dark acres of the human heart. . . . The book has all the stark brutality of a Shakespearean tragedy.”

The New York Times Book Review
“Powerful and poignant.”

Chicago Sun-Times
"A thrilling work of art.”

Monday, May 24, 2010

Line By Line: Paul Bowles, The Sheltering Sky

The Sheltering Sky (P.S.)"Death is always on the way, but the fact that you don't know when it will arrive seems to take away from the finiteness of life. It's that terrible precision that we hate so much. But because we don't know, we get to think of life as an inexhaustible well. Yet everything happens a certain number of times, and a very small number, really. How many more times will you remember a certain afternoon of your childhood, some afternoon that's so deeply a part of your being that you can't even conceive of your life without it? Perhaps four or five times more. Perhaps not even. How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless."

"Softly she laid her cheek on the pillow and stroked his hair. No tears flowed; it was a silent leave-taking."

"And now you know [life]'s not like that. Right? It's more like smoking a cigarette. The first few puffs it tastes wonderful, and you don't even think of its ever being used up. Then you begin taking it for granted. Suddenly you realize it's nearly burned down to the end. And then's when you're conscious of the bitter taste."

"The soul is the weariest part of the body."

"Because neither she nor Port had ever lived a life of any kind of regularity, they had both made the fatal error of coming hazily to regard time as non-existent. One year was like another year. Eventually everything would happen."